Questions to ask before you hire a web designer
The questions that catch expensive problems before you hire a web designer.
Most web design contract templates online are written for designers. This checklist is for the business paying for the site: the clauses that decide what you own and what happens if the relationship ends. It is general information, not legal advice.
Updated 29 October 2026, about 9 minutes to read
The short answer
Check that the contract lists the pages and features, says how many design rounds are included and what counts as one, ties each payment to work you can see, and says who owns the design, the code, the content and the domain once you have paid. Then check hosting, support and what you receive if you leave. Ask a lawyer to read anything you do not understand.
A good web design contract lets someone who was not in your meetings understand what is being built, what it costs, who owns what at the end and how either side can leave. If yours cannot do that, it will not help you when there is a disagreement.
Before you sign, you should be able to answer these from the contract alone:
Anything promised on a call is hard to rely on later unless the contract, or a plan attached to it, says it. For a large project, or when you are signing the designer's standard terms, ask a lawyer to read the contract first.
Vague scope is where disputes start. "A modern five-page website" can mean very different jobs. The contract, or a plan it refers to, should list:
The last line matters as much as the rest. A plan that says what is not included saves an argument later.
GGSites, for example, sends a written plan before work starts that lists each page and its purpose, the platform and why, the connections to your other tools, who writes the words and what is not included. Whoever you hire, ask for something like it and attach it to the contract.
Every contract mentions revisions, and few define them. Pin down:
Collect your team's comments into one list per round, from the person who decides. Two people sending different notes about the same page can use up a round and leave the designer guessing.
Unlimited revisions sound generous and are often a warning sign. Without a definition of what a revision is, the scope was probably never pinned down either.
A website timeline depends on you as much as on the designer, because the text, photos, logins and comments all come from your side. Check that the contract or the plan names:
If a date really cannot move, such as the opening of a new branch, say so before you sign, so the plan is built backwards from it.
Payments should follow work you can see. Two common structures are a deposit at the start with the rest at launch, and a deposit with payments at milestones such as approved designs and a working preview. Check:
GGSites takes the setup fee in two halves: half when work starts, and half when the site is live and you are happy with it. Our prices page shows the figures.
Be wary of paying everything up front for a custom build, and of a final payment due on a date whether or not the site works.
Paying for a website does not by itself make you the owner of everything in it. The contract has to say so.
In the US, the Copyright Office explains that work commissioned from an independent contractor is a work made for hire, owned by the client, only if it falls into one of nine listed categories and both sides sign a written agreement saying so. Whether a website fits those categories is uncertain, which is why careful contracts add a written assignment of copyright. US law requires a transfer of copyright to be in writing and signed by the owner.
In the UK, the author of a work is its first owner unless they made it as your employee, and an assignment of copyright only works in writing signed by the person assigning it. In Germany, copyright itself cannot be transferred at all, so the contract grants you rights to use the work instead. Other countries differ again, which is a reason to have this clause read where you are. Look for:
Watch for a clause that keeps ownership with the designer until a long monthly plan ends, with no way to buy it out. Ask in writing what you could take with you at each point of the contract.
The final payment usually depends on the site being finished, so the contract should say what finished means. Without that, launch day turns into a negotiation. Look for:
Test the preview yourself before you approve it. Send each form from your phone, open every page and check the details customers rely on, such as prices, opening hours, the address and the phone number.
The domain is the part you can least afford to lose, because your website and your email depend on it. It should be registered in the business's name, with the business as the registrant, in an account you control. The designer can be added as a user. The contract should say:
GGSites sets up the domain, hosting and accounts in the client's name, or hands them over at launch. If a past designer holds yours, read how to get your website back and ask while you are still on good terms.
Hosting and support often sit in a separate agreement or a monthly plan. Read it as carefully as the build contract:
A warranty period is worth having in writing: defects that were in the build are fixed free for a set time, separately from new requests. Ask for the length of that period and what counts as a defect. Our guide to website maintenance goes through each line a monthly plan should cover.
If the site will connect to other systems through an automation, ask who fixes it when a connection fails and how you will hear about it.
Projects stop for ordinary reasons: the business changes its plans, the designer falls ill or the relationship breaks down. The contract should say:
Without this clause, ending a project can mean losing both the money and the work.
A few clauses look like boilerplate and are worth a minute each:
The questions to ask before you get to the contract stage are in questions to ask a web designer, and how to compare quotes is in what decides the price of a website.
The pages and features, what is not included, the number of design rounds and what counts as one, the payment stages, who owns the design, code, content and domain after payment, the hosting and support terms, and how either side can end it. A written plan of the pages can be attached and referred to, so the contract stays short.
It says the client owns the work as if they had made it. Under US copyright law, work commissioned from a contractor only counts as made for hire in nine listed categories, with a written agreement signed by both sides, and a website may not fit them. That is why careful contracts add a written assignment of copyright as well. Ask a lawyer to check the wording.
There is no standard number. What matters is that the contract states how many rounds are included at each stage, what counts as one round and what a further round or new work costs. Send each round as one list of comments from the person who decides, so no round is wasted.
Two common patterns are a deposit at the start with the rest at launch, and a deposit with further payments at milestones such as approved designs and a working preview. Tie each payment to something you can see and test. Avoid paying everything up front for a custom build.
It is a set time after launch during which the designer fixes defects in the work they delivered, at no extra cost, such as a form that does not send or a page that breaks on a named phone. It does not cover new features or changes you ask for. Get the length in writing, with what counts as a defect and how fast fixes happen.
For a small site on a clear, short agreement, you may be comfortable reading it yourself with a checklist like this one. For a large build, a store, a contract that keeps ownership with the designer or one under another country's law, an hour of a lawyer's time costs far less than a dispute.